contax zeiss survival guide

I got all my standard 80mm fronts from him, as well as slip-on lens caps. One last note on their generations, MMs were mostly made in Japan, so theyre called MMJs, while AEs were made in Germany and named AEGs. Im sure that approach had similar benefits with cinema lenses and Hasselblads. I think its safe to say all these lenses from this era of Zeiss optics have remarkably similar coatings and magic. check out the. Nitze's Affordable Cage for Atomos Shogun CONNECT Introduced, Three Lenses on One Camera at Once VERTIGO by MultiTurret Coming To Kickstarter Soon, MASV Completes AWS Integration with "Send from Amazon S3" Feature, FALCAM Maglink Camera Straps First Look, Aputure INFINIBAR Review - RGBWW Full-Color LED Pixel Bars, Sony ZV-E1 Review - Sony a7S III Lowlight Capabilities, Enhanced Autofocus and Powerful AI, OSEE Megamon 15 Review - Great 1000nits Portable Monitor with few Shortcomings, Filmstro Web App Demonstration with New Features - Make Your Own Soundtracks, Canon EOS R3 Lab Test - Rolling Shutter, Dynamic Range and Latitude Test, Panasonic LUMIX S5 II Lab Test - Rolling Shutter, Dynamic Range and Latitude, Nikon Z 9 N-RAW Lab Test (FW 3.00) - Rolling Shutter, Dynamic Range and Latitude. For a little over a year, this was enough. But Zeiss was so precious about these lenses that some of them were only made in Japan and others in Germany. Super Speeds and Standards for cinema. The 180 is cleaner, sharper and technically better. You can also tell their place of manufacture based on whats written on the lens! In my experience, the gears never fit on the first try. If you dont have a 3d-printer, Im selling all the gears I made for my set on eBay! If I have a motor on the iris, itll have to be adjusted every time the lens is swapped. I returned to the guide and started eBay hunting. Im still weighing if I need it or not. They also look more modern and clean. First I measured the slip-on caps I got from SIMMOD and created a Photoshop template with that size. What an amazing amount of learningand research condensed and shared. Nick, awesome thread. In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. Expect there to be bidding wars on eBay now, the gates of CONTAX HELL have been unleashed. I'm not that far from NYC, and head down every so often. So Contax = Western Zeiss. Would love to check out the Hollywood, but $$. The 15/3.5 took the cake though. I remember years back when it was Pebble Place, Fred Miranda, a few random flickr pages and foggy lens tech folklore for figuring out this old glass. Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. I prefer it, cuz theres an honesty there I appreciate. It all started when I stumbled upon a post on Craigslist from a guy selling his Contax Zeiss set. Contax / Zeiss Planar 100mm f2 (A7ii + X-T1) - FujiX-Forum I was not impressed, so I decided to make my own. Heres a little short-hand: ". Focal length marked on the rear caps as well. I prefer the C/Ys but since I already own 3 FDs (cheap ones: 28 2.8, 50 1.8 and 135 2.8), I'm leaning towards the latter, although still undecided. Im gonna stop saying these lenses are sharp, because at this point its just standard! There are MMG lenses out there I was weary of that for quite a while, since its not mentioned clearly anywhere. So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Contax Zeiss should be on your radar for a couple of reasons. Really haven't tested it enough, but the color rendering of the 85mm f2.8 really seems to have some special magic. Copyright 2007-2022. or Sign Up Log in with Search in titles onlySearch in Lens Tests only Search Advanced Search Forums Groups New Posts Today's Posts Member List Forum Shooting RED Shervin, thank you so much for posting those R3ds. What's the best camera for shooting sports and action? The 50 1.7 and 180 2.8 are also rumored to be better in MM. All times are GMT-8. I needed a proper case! No comparison. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. May be one of the sharpest Contax primes ever made. The focusing ring on my 85mm AE is much smoother than my 85mm f1.4. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. smc super takumar lenses are often more available and significantly cheaper than the Contax. Contax have a bit less contrast, and flare more. Of course, that was way before RED and Leitax adapters. This makes life easier when grabbing gear to go out and renting it as well. Tito Ferradans spent the last six years researching, writing and making videos about the anamorphic format and how to achieve it without breaking the bank on low-budget productions. Last point on the focus gears: the same way you always want to have a constant outside diameter, you want to place them on the lenses at the same distance from the mount. The 21/2.8 was a must. I started with the 28mm. You can see our informal results. Landmine Media, LLC. Total newbie question about connecting Zeiss Contax lenses to BMPCC Every time I had to pick a lens I went for the 35mm f/2.8 instead. Heres the full line of glass. Or get a Duclos/Tokina 11-16. 80mm is the outside diameter of the rings, and that number is so specific because its a standard size for clip-on matteboxes. Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. As always very much appreciated. These have less elements (6?). I've noticed these designs are more likely to create punchy, contrasty images, too. $2 each. This is a guide for people that love handling gear and tweaking little things here and there. Only 4 lenses were "officially" improved during the jump to MM: the 25 2.8, 28 2.8, 135 2.8, and 135 f2. The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. I know organic is a hackneyed term, but it fits. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. My 21mm CP.2 is probably my favourite lens that I own, lovely, lovely piece of glass. That meant getting a few more lenses and upgrading various aspects I had neglected so far. Anyone who says a lens made in Germany is better than the same lens made in Japan is full of shit. Though alot of the photography forum guys refer to those tests for 'official' MTF results they're a lot easier to read than Zeiss's graphs and they're all in one place. Generally speaking, these fall into 3 lens types, categorized by how fast and complex they are. And. Anyone who tells you otherwise is full of shit. So far I had been using adapters on them, and they sucked. Reduserforum "Contax Survival Guide" says is a good one. I repeated the technique for the rear caps, this time with only the focal length written on them. Stay current with regular CineD updates about news, reviews, how-tos and more. MM's from 1984 to 2005. If I know Im not gonna need either the 15 and the 60, I just dont take their case with me. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. That was probably one of the most stressful experiences of my life with lenses. It's taken me a few years to build this set, and I absolutely love the look I get from them The 21mm is still regarded as one of the best wide angle lenses you can buy, hence why it is one of . Also ZF/ZE's tend to. I went for the fastest lenses and snuffed out the AEGs I had, in favor of the prettier bokeh of the MMJs. Wide open, Contax glass seems as mushy as Supers. Great help. We've been taking a look at what it offers and what it's like to shoot with. Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4: A review The 85 is ridiculously fast with combo. When the ZF/ZEs first came out in 2006, they appear to have been direct re-badges of the Contax line (with small modifications to the designs). Regards. Its really not a huge deal. I'll definitely look into my adapter. On almost all shoots weve done with Contax lenses, where we have used other glass, be it Leica Rs or Canon EOS, every time the DP has noticed that the waveforms jump. Original Contax Zeiss set on the left, Soviet set on the right. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. It was a time when I didnt shoot much, but I went on long bike rides. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Live with it. Distance between first and last lens vertex: 33.6 mm 51.8 mm Weight: approx. One thing that the push-pull nature of the zooms helps with, is snap-zooms. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. check out the. The Contax Zeiss Distagon 'Hollywood' 28mm F2.0 is a classic fast wide for full frame and is incredible on Super 35mm as well. This gave me a great set of lenses ready for action, all I missed was a way of getting them to said action. You can unsubscribe at any time via an unsubscribe link included in every newsletter. Contax Zeiss Survival Guide - REDUSER.net The 135 mm 2.8 MD lens can keep up with the big boys, some say it is one of the best tele lens of all time. I'm sure its just due to copy variation and the years its weathered but pretty disappointing. Contax Zeiss lenses are the gems for sharp yet vintage glass. I say that because Ive encountered many people who get confused and think Contax is weird Japanese junk. They rack focus beautifully. It also has built-in color filters which I freaked out when I realized how to turn them. And. As photography slowly shifted from rangefinder to SLR, Contax was. Like ZF/ZEs, they have fantastic barrel rotations (often 180 degrees or more). X. X. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. It's cheapass ones I got from China. Heres a very interesting article that summarizes tech papers published on these designs and their differences, pros and cons. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. You can also tell their place of manufacture based on whats written on the lens! This one was only made in Japan and it doesnt exist in AE, just MM. send me payment method & how many days it will take? Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. Building this set was a great experience throughout. By the 1960s, competition from the Japanese led to the eventual shuttering of both subsidiaries - even as the larger Zeisss stayed in business. There are MMG lenses out there I was weary of that for quite a while, since its not mentioned clearly anywhere. That meant getting a few more lenses and upgrading various aspects I had neglected so far. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. Back to the story. My copy has some fungus in it and other copies might be better. The downside of such magnification is that the focus ring travels a lot, pretty much doubling the physical length of the lens. Contax 100mm f/2 vs ZE/ZF - FM Forums These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In terms of a look, weve shot with both and there is a clear difference to me. Its the one I always took with me and it gave me gorgeous shots. Look for an MM with serials in the 8's. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. One thing I want to mention here is that I have found the new 50/1.4 ZE and ZF's to be MUCH softer wide open than my Contax 50/1.4. Since the filter threads across the set are wildly different (from 55 to 72mm), standardizing the filter threads to 77mm allows you to own one single set of filters which can quickly switch lenses without the need for tons of step rings. Heres the answer to all of this, broken down. Fairly "affordable" as well. http://www.pebbleplace.com/Personal/Contax_db.html, QuineCore Question - how to solve your production woes, If this is your first visit, be sure to Or do what I did and find an affordable Standard Prime 16mm T2. Thats where my obsession started. This is a sticky topic. Contax RTS Series SLR Camera Models - MIR I remember someone doing a test a when the epic first came with stills lenses and noticed it too. The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. The 135mm f/2.8 was a great lens. Momentum picked up and I saw myself getting ready to DP a webseries pilot. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. All times are GMT-8. (I read the Contax Survival Guide, thank you Nick . This is a guide for people that love handling gear and tweaking little things here and there. That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. See the photo below! Contax I. Heavy, but sharp. Never been an issue for us - and truth be told, if I have a problem with a lens, Id send it to Duclos anywaybut be advised. Sony Information & communications technology Technology . I was just ahead of the game, so it wasnt necessary on my case. This means that not all MM lenses are made in Japan. It doesnt really ever pop up on my 25 2.8, 28 f2, 50 1.4, or 135 2.8. Time. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. DaVinci Resolve Quick Tip What Are Power Bins and Why Are They So Useful? That would be asking a lot of these budget lenses. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. I also feel that the ninja-star may funkify the bokeh a bitgive it a touch of painterly magicbut that may just be meand this wild opinion is something I may need to test out a bit more! After I got the five Contax I went to look for more info and found the Contax Zeiss Survival Guide at REDUser. Thank you to Tito for a captivating read. The two specialty lenses the 15/3.5 super wide and 60/2.8 macro go on the smaller 904 case.

John Schneider Producer Net Worth, One Direction Hiatus Tweet Deleted, Hudson Homes Management Resident Portal, Friends With Benefits With A Pisces Man, Edinburg City Manager, Articles C